Nash Glynn


Bio: Nash Glynn is a trans-disciplinary artist currently working in New York City. Using painting, photography, video, and performance, she uses her body as a medium to illustrate ramifications of historical categories such as Nature, Female, and Human. Through visual metaphor she traces the binary logic of domination to the roots of our current ecological crisis and heterosexism.

She received her BFA from The School of the Museum of Fine Arts and Tufts University in 2014, and MFA from Columbia University in 2017. In 2018 she was the recipient of the Leslie Lohman Museum Artist Fellowship. Her works has been exhibited in galleries and festivals in the U.S. and abroad including, Participant Inc. (New York, NY), Spinello Projects (Miami, FL), Thierry Goldberg Gallery (New York, NY), The Leslie-Lohman Museum (New York, NY), SciArt Center (New York, NY), NY Queer Experimental Film Festival (New York, NY), Miriam & Ira D. Wallach Art Gallery (New York, NY), and Yours Mine and Ours (New York, NY), Villa Victoria (Boston, MA), MOMA (Santo Domingo, DR), Latvian National Museum of Art, Maison Populaire (Paris, FR), Filmhuis Cavia (Amsterdam, NL).


Thesis Exhibition

Artist Statement: I am a metaphor maker at the end of the world. I use my body as a medium to illustrate ramifications of myths such as Nature, Female, and Human in relation to our current ecological crisis. Through desperate attempts to scare or seduce the viewer, my work challenges anthropocentrism in order to reevaluate human and nonhuman agency. Drawing from science research and fiction, I am both invested in sharing information and complicating it as a mode of neutral observation. I form spaces where objects like utopia and dystopia coexist. It is a contradiction, but so are you my love.

L to R: PLEASE SAVE MY BABY, Lover Earth (Video still); Video performance script

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